“In this brooding feminist thriller, a former art student and her daughter are isolated in a rural Vermont cabin and have to contend with the toxic presence of an unbalanced con man in their lives.” ―New York Times
The Hare is an affecting portrait of Rosie Monroe, of her resilience and personal transformation under the pin of the male gaze.
Raised to be obedient by a stern grandmother in a blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum, she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “polo” refers only to ponies, teaches her which direction to spoon soup, and tells of exotic escapades with Truman Capote and Hunter S. Thompson. Soon, Rosie is living with him on a swanky estate on Connecticut’s Gold Coast, naively in sway to his moral ambivalence. A daughter ― Miranda ― is born, just as his current con goes awry forcing them to abscond in t
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